Literarische Zensur im Franquismus

Rezeption und Zensur von Ernest Hemingways For Whom the Bell Tolls (1940)

Authors

DOI:

https://doi.org/10.15460/apropos.14.2222

Keywords:

censorship, Spain, Francoism, Spanish Civil War, Hemingway

Abstract

Ernest Hemingway, who experienced the Spanish Civil War first-hand, wrote about his experiences there as a reporter in the novel For Whom the Bell Tolls, in which he describes the horrors of war, sometimes quite bluntly. The original English edition was published as early as 1940, but it was not until 1968 that the novel was finally published in Spain in a translated – and censored – version under the title Por quién doblan las campanas. This article deals with the publication, translation, and censorship history of said novel in Francoist Spain. In order to examine possible translational interventions, the original English-language edition, the first edition published in Spain in 1968, and the first ‘post-Francoist’ edition published in 1993 will be compared.

Author Biography

Karolin Schäfer, University of Kassel

Karolin Schäfer studied English and American, German, and Hispanic studies at the University of Kassel, Germany. She currently holds a position as research assistant in the third-party funded project “Small-scale sovereignty. Personal forms of domination in everyday life and their representation in the Hispano-American novel of the 20th and 21st century” (lead researcher: Prof. Dr. Jan-Henrik Witthaus, University of Kassel, 2022-2025). Her PhD project investigates the marginalized role of women within the patriarchal structures found in the literary office. Further research interests of hers are office literature in general (with a specific focus on Germany, Latin America, and the USA), literature about migration, and Spanish cyberpunk.

Downloads

Citations
0
0
0 citations recorded by Crossref
0 citations recorded by Semantic Scholar
Metrics
Views/Downloads
  • Abstract
    313
  • PDF
    165
Further information

Received

2024-03-24

Accepted

2025-05-18

Published

2025-06-09

How to Cite

[1]
Schäfer, K. 2025. Literarische Zensur im Franquismus: Rezeption und Zensur von Ernest Hemingways For Whom the Bell Tolls (1940). apropos [Perspektiven auf die Romania]. 14 (Jun. 2025), 158–181. DOI:https://doi.org/10.15460/apropos.14.2222.