Künste des Dazwischen: Graphische Literatur und visuelle Poesie der Romania als Genres ‘en marge‘

Einleitung

Authors

  • Jasmin Wrobel University of Manchester
  • Julia Dettke Universität Rostock

DOI:

https://doi.org/10.15460/apropos.10.2117

Keywords:

Visuelle Poesie, Graphische Literatur, Zwischenräume, Spielräume, Text-Bild-Beziehungen

Abstract

Graphic literature and visual poetry can be understood as arts of the in-between in at least two ways: on the one hand, they combine image and text as aesthetic and semantic means of expression; on the other, they reflect this in-between position via intermedial references and an affinity for themes of interspatial, marginal(ized) experience. Their genre-forming and genre-breaking specificities can be found in their engagements with multidimensional character/image relationships, with semantic determination and opening, with boundary transgressions, and with shifts between different semiotic systems. This dossier brings together media-comparative perspectives on different expressions of image-text relations as a way to identify and conceptualize characteristics and potentials of the in-between.

Author Biographies

Jasmin Wrobel, University of Manchester

Jasmin Wrobel studied Spanish and Comparative Literature at Ruhr Universität Bochum and holds a PhD in Latin American Studies from Freie Universität Berlin where she worked as a lecturer and research assistant between 2013 and 2019. Between 2019 and 2022, she worked as academic coordinator and research-track postdoc at the Cluster of Excellence "Temporal Communities: Doing Literature in a Global Perspective" at the same institution. At present, she is Marie Curie Postdoctoral Fellow at The University of Manchester where she works on a book project on the anticolonial and (queer)feminist potential of Latin American comics.

She is author of the book Topografien des 20. Jahrhunderts: Die memoriale Poetik des Stolperns in Haroldo de Campos’ Galáxias (2020, De Gruyter), editor of the volume Roteiros de palavras, sons, imagens: Os diálogos transcriativos de Haroldo de Campos (2018, TFM), co-editor of the dossiers and volumes “Experimental Poetry Networks: Material Circulations” (2019 in Materialities of Literatures), “Archives of Resistance: Picturing the Black Americas” (2022 in Amerikastudien / American Studies), and Der Wert der literarischen Zirkulation/The Value of Literary Circulation (2023, Metzler). She published articles in several international journals and volumes regarding topics such as feminist comic art, experimental poetry, (neo-)baroque literature, cultural and literary contacts between Brazil and Hispanic America, and literary mediations of memory discourses in Latin America.

Julia Dettke, Universität Rostock

Julia Dettke studied Comparative Literature, Theatre Studies and French Language and Literature in Göttingen, Berlin, Paris and Bologna. She completed her Ph.D. at Freie Universität Berlin in 2019, which was published in 2021 at Wilhelm Fink (Raumtexte. Georges Perec und die Räumlichkeit der Literatur). During her Ph.D. studies, she did research at Columbia University in New York, the Bibliothèque Nationale de France and the EHESS in Paris.

Since 2019, Julia Dettke is a postdoctoral researcher for French and Italian literature at the Romance Languages and Literatures Department of the University of Rostock. She is a freelance film critic for Frankfurter Allgemeine Sonntagszeitung.

„Autorretrato com futuro“ (2021) © Patrícia Lino

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Published

2023-06-30

How to Cite

[1]
Wrobel, J. and Dettke, J. 2023. Künste des Dazwischen: Graphische Literatur und visuelle Poesie der Romania als Genres ‘en marge‘ : Einleitung. apropos [Perspektiven auf die Romania]. 10 (Jun. 2023), 10–23. DOI:https://doi.org/10.15460/apropos.10.2117.

Issue

No. 10 (2023): Künste des Dazwischen: Graphische Literatur und visuelle Poesie der Romania als Genres ‘en marge‘

Section

Special issue

URN

http://nbn-resolving.de/urn:nbn:de:gbv:18-8-21175

License

Copyright (c) 2023 Wrobel Jasmin, Dettke Julia

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.