Romance (Catherine Breillat, 1999)
Der Film als Ideogramm
DOI:
https://doi.org/10.15460/apropos.8.1934Keywords:
Catherine Breillat, Romance, pornography, romance, sexualityAbstract
This article suggests a reading of Catherine Breillat's film Romance (1999) by focusing on Marie’s sexual development. Often criticised by feminists as well as non-feminists, this study will show how Romance challenges dominant forms of representations of women as found in pornography and in romance. Breillat aims to denounce masculine domination as pervading pornography and romance, both of which foreground female sexuality as a taboo as well as an ‘abused’ subject, keeping women as pure and alienated beings.
Translated (French) by Ralf Junkerjürgen
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Copyright (c) 2022 Sophie Belot

This work is licensed under a Creative Commons Attribution 4.0 International License.


