Wildheit und Gewaltexzesse in Magô Pools Comic Bicho Selvagem

Authors

DOI:

https://doi.org/10.15460/9jvgta48

Keywords:

comic, violence, Brazil, human-animal studies, bandeirantes

Abstract

The article analyzes Magô Pool’s comic Bicho Selvagem (2022/2024) as an allegory of anthropocentric violence and social hierarchy. Triggered by the imagined threat of a “wild beast,” violence within a Brazilian gated community escalates into racist, sexist, and speciesist acts. The comic is read as a critique of colonial and patriarchal power structures, exposing how violence against animals, nature, and humans intertwines and how the notion of “wildness” mirrors collective fear and denial of responsibility.

Author Biography

  • Janek Scholz, Leipzig University
    Janek Scholz is a research associate at the Institute of Romance Studies at the University of Leipzig. He studied Romance Philology, German as a Foreign Language, and English Linguistics in Jena and Naples. After completing his studies, he spent a year as a language assistant at the Federal University of Ceará in Fortaleza, Brazil. Between January 2018 and December 2020, he pursued a doctoral program at the University of Vienna under the supervision of Prof. Dr. Kathrin Sartingen and earned his Ph.D. in December 2020 with a dissertation on the figure of the fortune-teller in Brazilian literature. His habilitation project is titled “Jenseits der Form. Hybridität, Monstrosität und transgeschlechtliche Ästhetik in Brasilien, Argentinien und Chile”. His other research interests include gender theory, postcolonialism, humanism, and posthumanism, as well as comics studies.  

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Further information

Received

2025-10-06

Accepted

2026-03-26

Published

2026-06-30

Citation

[1]
Scholz, J. 2026. Wildheit und Gewaltexzesse in Magô Pools Comic Bicho Selvagem. apropos [Perspektiven auf die Romania]. 16 (Jun. 2026), 40–51. DOI:https://doi.org/10.15460/9jvgta48.