“Como delante de un prado una vaca”

Animales en la obra poética de Fabio Morábito

Authors

DOI:

https://doi.org/10.15460/887rth56

Keywords:

Mexican poetry, 20th century, human-animal studies, zoopoetics, Morábito

Abstract

Fabio Morábito (1955) is one of the most important poetic voices of the second half of the 20th century in Mexico. His works feature a wide variety of animals that, due to the detailed observations of the poetic voice, seem to be representations of real, living animals. At the same time, they seem to be poetic beings that participate directly in the creative process. Based on these interactions between scrupulous observations of real animals and poetic reflections, this article proposes understanding Morábito’s poetics as “zoopoetics”. The article will also explore the relationship that the poetic voice establishes with the living beings that populate its world and how it defines and orients itself in this shared world.

Author Biography

  • Henriette Terpe, University of Cologne

    Henriette Terpe studied Physics, Comparative Literature, and Romance Studies at Ruhr-Universität Bochum, Universität zu Köln, and Universidad Complutense de Madrid. She holds a PhD from Universität zu Köln with a thesis on poetic diaries of death, where she currently continues her teaching and research activities. Her postdoctoral projects focus on the relationships between humans and animals, both in contemporary Latin American poetry and in Romance literature of the 15th and 16th centuries.

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Further information

Received

2025-10-01

Accepted

2026-05-11

Published

2026-06-30

Citation

[1]
Terpe, H. 2026. “Como delante de un prado una vaca”: Animales en la obra poética de Fabio Morábito. apropos [Perspektiven auf die Romania]. 16 (Jun. 2026), 25–39. DOI:https://doi.org/10.15460/887rth56.